-
Sheet music and methods
- Accordeon
- Banjo
- Bassguitar
- Bassoon
- Carillon
- Cello
- Chamber music
- Children`s songs
- Choir
- Choir and orchestra
- Clarinet
- Directiepartituren
- Double bass
- Electric guitar
- Electronic organ
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flute and piccolo
- Folksongs
- Guitar
- Hafabra
- Harmonica
- Harmonium
- Harp
- Harpsichord
- Horn
- Jazz and improvisation
- Keyboard
- Lute
- Mandolin and mandola
- Mixed
- Oboe and english horn
- Opera
- Orchestra
- Organ
- Percussion
- Piano
- Pop music
- Real books
- Recorder
- Saxophone
- Shows and films
- Singing classic
- Songbooks
- Trombone and basstrombone
- Trumpet
- Tuba and euphonium
- Ukulele
- Viola
- Violin
- Solfège and music theory
-
Books about music
- Children`s books
- Composers
- Facsimiles
- Instruments
- Koopjes
- Literature – ficton
- Literature – non-ficton
- Literature- audio books
- Music aesthetics, philosophy
- Music and culture
- Music history
- Music notation
- Music styles
- Music technique and electronics
- Music therapy
- Musicians
- Musicology
- Pedagogy
- Performance practice
-
Acccessories
- Acccessories bassoon
- Acccessories cello
- Acccessories clarinet
- Acccessories double bass
- Acccessories flute
- Acccessories guitar
- Acccessories horn
- Acccessories mandolin
- Acccessories oboe
- Acccessories piano
- Acccessories recorder
- Acccessories soxophone
- Acccessories trombone
- Acccessories trumpet
- Acccessories viola
- Acccessories violin
- Conductor baton
- Hearing protection
- Lighting
- Metronoms and tuners
- Music stands
- Reeds for clarinet
- Reeds for saxophone
- Software
- Strings for banjo
- Strings for bass guitar
- Strings for cello
- Strings for double bass
- Strings for electric guitar
- Strings for guitar
- Strings for mandolin
- Strings for ukulele
- Strings for viola
- Strings for violin
- Gift items and papers
Sonate
- Instrument
- Gitaar
- Author/Composer
- Bernard Piris
- Publisher name
- Les Productions D'Oz
- Item type
- Sheet music
This is a most enjoyable new composition and has to be one of the best solo offerings I've come across in recent times. The whole work is well crafted, full of inventive ideas both melodically, harmonically, and rhythmically and from the opening few bars one's attention is immediately grabbed and the interest never wanes for a second. Here is a man who really knows how to write for the instrument. Occasionally there is evidence (particularly in the final movement, a frantic toccata) that Piris has perhaps been influenced by the compositional style of Leo Brouwer. Both outer movements are as one would expect, quite high-speed affairs in general, but the highlight as far as I am concerned comes with the mysterious, haunting second movement where the composer seems to have poured his heart out in a piece which could easily stand on its own merits.
Throughout the work Piris draws on and makes ample use of one of the guitar's most natural qualities and attractive attributes, that of campanella (the ability to let one or more notes ring into another notes).
This stylish new accessible contemporary publication is very well presented here with just about the right amount of suggested fingering and it is to be hoped that Piris' Sonate receives the attention it well deserves from recitals and recordings. Highly recommended. Steve Marsh, Classical Guitar