-
Sheet music and methods
- Accordeon
- Banjo
- Bassguitar
- Bassoon
- Carillon
- Cello
- Chamber music
- Children`s songs
- Choir
- Choir and orchestra
- Clarinet
- Directiepartituren
- Double bass
- Electric guitar
- Electronic organ
- Ensemble
- Ethnic instruments
- Etnische tokkelinstr.
- Flute and piccolo
- Folksongs
- Guitar
- Hafabra
- Harmonica
- Harmonium
- Harp
- Harpsichord
- Horn
- Jazz and improvisation
- Keyboard
- Lute
- Mandolin and mandola
- Mixed
- Oboe and english horn
- Opera
- Orchestra
- Organ
- Percussion
- Piano
- Pop music
- Real books
- Recorder
- Saxophone
- Shows and films
- Singing classic
- Songbooks
- Trombone and basstrombone
- Trumpet
- Tuba and euphonium
- Ukulele
- Viola
- Violin
- Solfège and music theory
-
Books about music
- Children`s books
- Composers
- Facsimiles
- Instruments
- Koopjes
- Literature – ficton
- Literature – non-ficton
- Literature- audio books
- Music aesthetics, philosophy
- Music and culture
- Music history
- Music notation
- Music styles
- Music technique and electronics
- Music therapy
- Musicians
- Musicology
- Pedagogy
- Performance practice
-
Acccessories
- Acccessories bassoon
- Acccessories cello
- Acccessories clarinet
- Acccessories double bass
- Acccessories flute
- Acccessories guitar
- Acccessories horn
- Acccessories mandolin
- Acccessories oboe
- Acccessories piano
- Acccessories recorder
- Acccessories soxophone
- Acccessories trombone
- Acccessories trumpet
- Acccessories viola
- Acccessories violin
- Conductor baton
- Hearing protection
- Lighting
- Metronoms and tuners
- Music stands
- Reeds for clarinet
- Reeds for saxophone
- Software
- Strings for banjo
- Strings for bass guitar
- Strings for cello
- Strings for double bass
- Strings for electric guitar
- Strings for guitar
- Strings for mandolin
- Strings for ukulele
- Strings for viola
- Strings for violin
- Gift items and papers
3 Pieces, Op.2
- Instrument
- Viool en piano
- Author/Composer
- Joseph Joachim
- Publisher name
- Breitkopf & Härtel
- Item type
- Sheet music
The young violin virtuoso Joachim created quite a stir when his little collection of pieces was issued. In particular, the variety of stylistic influences perplexed a number of his contemporaries. The "Romance" (No. 1), written in Leipzig before 1850, clearly reflects the style of Mendelssohn. But the other two pieces, the "Fantasiestück" and "Frühlingsfantasie", which date from his Weimar period, were unequivocally written under the impact of the music of Liszt and Wagner. The two fundamental aesthetic currents of the mid 19th century can thus be found side by side in one and the same opus. The "Romance" was selected as a compulsory piece for the International Violin Competition in Hannover (Germany) for the first time in 1991.